I addition to the contemporary instructions there are extant examples, not many but they exist across a range of contexts, suggesting a wider application that at first thought of. Cenninni talks about faking woven materials for clothing, the others are as follows:The Sion Textile is mid 14thc and a large narrative romance. It is in two collections, ie split in two. This is a wall hanging.
There is an altar cloth, 15thc again split across at least two collections.
The V and A has a 15thc possibly Flemish woodcut textile, coloured (as the previous two are) with paint. Purpose unknown save that it has a hunting theme.
There is strong conjecture that some small veronicas were printed onto linen.
Stencilling must also be included in the 'print'description because in essence it is a repetitive method. So you can have printed with painted and stencilled and gilded cloth.
As it happens I have a commission at present to produce a woodblock for some 16thc textile printing.
OT
Mark, you still up for the wound man btw?
ta
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